Deaf Crocodile continues to strike gold in the mysterious realms of Eastern European genre
archives with this wild Czech-Yugoslavian co-production, a genre-splicing blend of sci-fi, domestic comedy, monster movie, and flat-out general weirdness. Essentially this is a riff on the experience of being a writer and how it affects your reality, a la the previous Le Magnifique and later films like Gentlemen Broncos and Stranger Than Fiction, though with a goofy sensibility all its own.
The depiction of the aliens is a fascinating one as they're all too aware they've been created by Robert, who's had the ability to control
his environment since birth but can't quite get a handle on the mechanics of it. From the gold alien suits to the apartment decor, it's also a feast of early '80s production design including some lovely glowing power ball and laser eye effects thrown in, and the actors are all in the right spirit to pull it off without winking at the audience.
restored short films, mostly animated, by the director starting with 1959's Krava na mjesecu (Cow On The Moon) (10m40s), a very colorful,
dialogue-free diversion about a young girl building a rocket to the moon -- much to the confusion of the neighbor boy who keeps pestering her. In the same year's Piccolo (9m30s), a noisy musical instrument instigates a feud between two neighbors who become increasingly berserk, while 1960's 1001 crtez (1001 Drawings) (14m24s) is a fascinating B&W short mixing live action and animation to reveal how cartoons are drawn, covering all the character artists, chief animators, and other jobs involved in bringing the craft to life. This is the only one with dialogue, presented here in Croatian with English SDH subtitles. The Oscar-winning Surogat (The Substitute) (9m48s) from 1961 is a rapid-fire, colorful romp about a guy who navigates a beach filled with blow-up furniture and animals, and finally, the bizarre Ars Gratia Artis (8m55s) from 1969 mixes animation and live action as a man (both real and drawn) chomps up a vinyl album, razor blades, thumb tacks and pretty much everything else except tinfoil, thankfully. The disc also comes with an insert featuring an essay about the film and the Zagreb ties by Jennifer Lynde Barker.