Color, 1984, 98 mins. 20 secs.
Directed by Jess Franco
Starring Eva León, Lina Romay, Antonio Mayans, Trino Trives, Analia Ivars, Antonio Rebollo, José Llamas, Juan Soler
Severin Films (Blu-ray) (US R0 HD) / WS (1.66:1)
miraculous wave of Jess Franco
releases now available in mint quality has truly been something to behold for the past few years, and to that roster you can add another gem: Bahia Blanca, an obscure but beautifully atmospheric thriller shot on the Spanish coast with a roster of familiar faces from that period in his career. Part crime thriller, part character study, and all Franco, it's the kind of film his fans enjoy uncovered during the daunting task of sifting through his hundreds of cinematic contributions over his career -- and until now, it has also been one of the most elusive in any kind of watchable quality.
(Ivars) is romantically entangled with Andy, a situation that becomes ensnared with the escalating drama that soon leads to multiple murders and heartbreak.
with a limited Blu-ray edition that will be a major delight for any Franco fan. For such a long ignored title, it looks pretty spectacular with nice, rich colors and great detail thanks to a 4K scan of the original camera negative. The LPCM Spanish mono track (with optional English subtitles) is also in great condition
and sounds nearly flawless throughout. Chalk this one up as another winner in the label's recent spate of Franco discoveries that are well worth your time. On the extras side, "In the Land of Jess Part 4" (17m36s) features Mayans and Stephen Thrower scouting various familiar locales around Spain, and it's quite poignant when Mayans recalls hearing the news of Romay's death and sharing his thoughts on Franco's final moments as well. Fans of Night of the Skull and Revenge in the House of Usher are in for a treat, too. Then "Bay of Jess" (18m53s) features Thrower offering another of his essential Franco analyses including the history of Franco's Manacoa company, the odd state of his career in 1984, the "dog's dinner" of genres Franco was hopping between at the time, the incredibly sorry condition of past video editions, and the role of that omnipresent guitar-heavy score.