
its drive-in heyday, Crown
International was notorious for coming up with wildly misleading artwork to promote its films with odd, unsettling fare like Trip with the Teacher and Pick-Up all given posters featuring paintings of sexy, semi-clad women promising a carefree good time. However, few titles can surpass the bizarre marketing of Best Friends, which was given a small roll out promising a tribe of avenging Native Americans, hippie chicks in peril, and the tagline, "She became the ravaged victim of a century of revenge!" What you actually get is a fascinating, low key, but oddly haunting character study about four young people heading out for fateful road trip, a solid calling card for first-time director Noel Nosseck before he went on to helm many made-for-TV movies and the odd big-screen feature like Las Vegas Lady and Dreamer.
(Satan's School for Girls' Noland). Unfortunately Jesse doesn't quite seem to grasp how much the war has rattled the psyche of Pat, who's becoming
deeply possessive and aggressive against Kathy over the thought of his losing his buddy. As the trip wears on, Pat's tactics threaten to cross an unforgivable line and the bond of friendship could be severed permanently.
films from the studio
made around that time, the elements have been kept in impeccable shape and boast that bright, saturated look familiar from the era. That means the obligatory Blu-ray edition from Vinegar Syndrome in 2020 (which comes with a limited embossed slipcover reflecting that bizarre but striking original poster art) is another visual winner from the Crown library, sporting a new 2K scan from the 35mm original camera negative. There's really nothing to fault here from an a/v standpoint at all; it looks very true to the source with excellent detail, natural film grain, great color, and a clean, clear DTS-HD MA English mono track with optional English SDH subtitles. Four new video interviews are included -- "Making Friends" (13m24s) with Nosseck, "Movies and Travel" (32m47s) with cinematographer Stephen M. Katz, "Educate Yourself" (15m10s) with editor Robert Gordon, and "A Lifetime of Music" (10m57s) with composer Rick Cunhaall -- of which touch on their early career stages at that point, the allure of making a feature requiring only "four actors and an RV," and tangential topics like biker films, Switchblade Sisters, country and western music, and Jennifer Warnes. The theatrical trailer is not included but can be found on 42nd Street Forever: Volume 4.