Color, 1967, 111m.
Directed by Ken Russell
Starring Michael Caine, Karl Malden, Ed Begley, Françoise Dorléac, Oskar Homolka, Guy Doleman, Vladek Sheybal
Kino Lorber (Blu-ray & DVD) (US RA/R1 HD/NTSC), MGM (DVD) / WS (2.35:1) (16:9)
big screen adventure for British MI5 agent Harry Palmer. Michael Caine had already portrayed the disgruntled spy in The Ipcress File and Funeral in Berlin, each helmed by a different director, and this one took an unexpected turn by offering a young tyro named Ken Russell with his first major assignment after an acclaimed run of TV productions. Russell was famously reluctant to take the job, but he still managed to infuse it with his flamboyant visual style and oddball sense of humor. Furthermore it teamed him up with ace cinematographer Billy Williams, with whom he would reunited two years later for what is often regarded as the first "real" Ken Russell feature, Women in Love.
who also co-produced all of the Bond films through The Man with the Golden Gun, and here he brought along a couple of familiar faces from the 007 series, Vladek Sheybal (who joined Russell again for Women in Love and The Boy Friend) and Guy Doleman, who had appeared in Thunderball along with the two previous Palmer films. Otherwise it's a film full of wild cards including a pair of Oscar winners (Karl Malden and Ed Begley) and the gorgeous Françoise Dorléac, sister of Catherine Deneuve, who was fresh off of Jacques Demy's The Young Girls of Rochefort and Roman Polanski's Cul-de-sac. Sadly she would be killed in a traffic accident before this, her final film, was released to theaters. 
trusted remains in doubt until the twisty finale in which Midwinter and the rest of the cast wind up meeting their fate on icy landscape of Latvia.
few leading roles is worth the price of admission by itself. Unfortunately the United Artists production hit a serious legal snag after its theatrical run when a brief scene (less than 30 seconds) showing Caine making his way through a room of Beatles-obsessed smugglers kept the film off of most TV screens and the home video market for years thanks to the inclusion of a snippet of "A Hard Day's Night" on the soundtrack. Eventually the film made it to both DVD and HD airings with that bit of footage excised, which causes a slight editorial blip but doesn't really affect the overall film one way or the other. (It's readily viewable online if you do a casual search, for those who are interested.)