
the very stacked subgenre of Japanese swordplay films, Haunted Samurai (on-screen
title: Kaze no Tengu, or Shinobi Demon: Duel in the Wind) is a sturdy example of where these films stood during the transition from black-and-white dramatic epics to the more flamboyant and violent stage they reached in the 1970s. Based on an early manga by Goseki Kojima (the same year he began Lone Wolf and Cub), the film by Keiichi Ozawa (director of the late '60s Outlaw crime series) dropped out of circulation for decades after its initial theatrical run, including a limited U.S. run via Toho with English subtitles and prompting a New York Times review cataloging its then-extreme levels of violence.
position, he knows that "ninja are scattered across the land" for any deserter. That even includes a whole gang of topless female assassin
coral hunters in one of the film's early high points involving an underwater knife fight, after which Rokuheita eventually makes his way to a destitute village where he can be of service. Of course, he has some dogged pursuers on his trail who won't make his attempt at a new life very easy.
These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World) and John Charles (The Hong Kong Filmography, 1977-1997: A Reference Guide to
1100 Films Produced by British Hong Kong Studios). They both bring a lot to the table here with plenty of info about real-life Japanese historical figures, the film's release history (including runs in San Francisco and Honolulu), the backgrounds of the actors, the social traditions at work here, the tragedy that befell the original intended star of the film, the ins and outs of Japanese studios at the time and Nikkatsu in particular, and lots more.