
for both Cardonas as well as Nightmare City) stars as Hugo (of
course), a wealthy layabout who lives in a Gothic estate where he brings beautiful women home for entertainment. He manages to procure many of them by flying his helicopter around Acapulco (which consumes an insane amount of the running time), but after tiring of them, he strangles the women, keeps their heads preserved in glass cases, and uses the bodies as food for his subterranean pit filled with, supposedly, a thousand hungry cats. He also has feline-themed artwork around his place and seems terrified of them, though the exact origin of his psychosis isn't really explained. Naturally he also has an ugly, weird henchman named Dorgo (Zepeda), who helps out with the grisly day-to-day chores, but the game might be over when Hugo brings home his latest conquest, pretty vacationer Cathy (The Baby's Comer), for a weekend at the mansion of flesh-eating kitties.
overlook that unpleasant and really unnecessary aspect, there's plenty of amusing fun to be had here, especially with the loud '70s clothes, decor, and gargantuan brandy snifters.
The film was issued on DVD by Code Red as a double feature with House of Insane Women, and the label took its second stab at that film with a Blu-ray release from what appears to be the same source material, with similarly muted colors and damage
marks. Sharing space on the Blu-ray is a dated SD version of Passion Plantation, a trashy Italian Mandingo cash-in originally released as Emmanuelle bianca e nera (not to be confused with the same year’s Black Emmanuelle, White Emmanuelle with Laura Gemser). Directed by onetime spaghetti western helmer Mario Pinzauti, it was filmed back to back with his similar Mandinga; no bonus points guessing what that one’s copying. The plot here actually bears some similarities to the same year’s Mandingo sequel, Drum, as bratty, "forthright" plantation daughter Emanuelle (Longo) kicks her pathology into overdrive when her betrothed, cattle rancher neighbor Lawrence (Gismondo), starts to get a little too close to her maid, Judith, after she saves him from certain death. Emanuelle isn't restrained about her own love of the plantation's enslaved population, but when Lawrence starts to go all anti-slavery on everyone, that's just a step too far as high melodrama and bizarre antics ensue on the way to a violent finale.
take seriously, this one takes the lead of 1971's notorious Goodbye Uncle Tom by aiming for an earnest plea against prejudice and slavery. Of course, that message feels a little weird juxtaposed against lots of heavy breathing and
panting and thrashing around, all of which makes the American title very appropriate. The anachronistic but fun electronic score by Roberto Pregadio is almost worth checking out all by itself, and the dubbers are a roster of familiar voices from the '70s who barely even try to go for any kind of southern accents at all. As for the cast, well, A Cat in the Brain's Longo certainly struts her stuff admirably as the star and ensures the film's drive-in credentials with a prolonged skinny-dipping scene that turns into a trap for an unlucky voyeur.