Color, 2000, 85 mins. 38 secs.
Directed by Mark Savage
Starring Robin Brennan, Colin Savage, Peter Beitans, Nene Powell, Simon Wood, Adam Batt
Intervision (Blu-ray) (US R0 HD) / WS (1.85:1) (16:9)
sent straight to video as Masked Avenger
Versus Ultra-Villain in the Lair of the Naked Bikini, this deliberately over-the-top crime film was the third feature for Australian director Mark Savage, made in the wake of Sensitive New Age Killer and Marauders. That lengthy title was conjured up by EI Video (one of the incarnations of Alternative Cinema) back in the waning VHS days to sell a gory and gleefully ridiculous, ultra-cheap production meant to be titled The Masturbating Gunman, an homage to exploitation cinema of many stripes with a barrage of verbal and sight gags pulled off on a student film budget.
clotheslines filled with used panties back at home. Oh, and he can fire buckets of scalding
acidic semen. Determined to track down his sister, our hero must learn to overcome his weakness and find the true self-abusing hero inside himself.
Brought back into circulation by Intervision on Blu-ray after decades wandering in the wilderness, The Masturbating Gunman is obviously limited by the nature of the original
video production; you'll see plenty of aliasing and ringing baked into the source here, but it's a case of "it is what it is" and no doubt the best it can possibly look. The DTS-HD MA English 2.0 track is also perfectly fine and comes with optional English SDH subtitles. A new commentary with Savage conversing with Severin's David Gregory is very lighthearted and informative as he touches on the very degraded reputation of horror and exploitation in Australia at the time, the gender elements in fandom and collecting, the casting process of even the tiniest parts, the location scouting, the film's marginal video release, and lots more. The rest of the bonus features (accessible through an appropriately panty-centric menu) include an archival making-of featurette (29m45s), which shows the cast and crew at work and frequently goofing on the film's title and performing some of the more out-there moments, and the alternate U.S. opening sequence.