Grapes of Death


Color, 1986, 106 mins. 43 secs.
Directed by Pedro Almodóvar
Starring Assumpta Serna, Antonio Banderas, Nacho Martinez, Eva Cobo, Eusebio Poncela, Carmen Maura, Julieta Serrano, Chus Lampreave
Radiance Films (UHD & Blu-ray) (UK R0 4K/HD), Divisa (Blu-ray & DVD) (Spain R0 HD/PAL), Sony (DVD) (US R1 NTSC), Umbrella (DVD) (Australia R0 PAL), Universum (DVD) (Germany R2 PAL), A-Film (DVD) (Holland R0 PAL) / WS (1.85:1) (16:9)


After earning a Matadorreputation as Spain's bad boy of counterculture filmmaking Matadorin the first half of the '80s with shaggy, episodic delights like What Have I Done to Deserve This?, Dark Habits, Labyrinth of Passion, and his much more obscure debut film, Pepi, Luci, and Bom, future two-time Oscar recipient Pedro Almodóvar shifted gears radically with his fifth film. One of his rare features that falls into the horror genre (along with the much later The Skin I Live In), this one is still deliberately provocative and trades in outrage -- after all, it notoriously opens with one of the main characters gratifying himself to Blood and Black Lace and Bloody Moon on TV -- but it upped the ante considerably in terms of visual artistry and storytelling craft. From here there was no turning back, setting the stage for his superb melodrama The Law of Desire and his major international breakthrough, Women on the Verge of a Nervous Breakdown.

After being wounded in a bullfight, Diego Montes now spends his time instructing students, including the troubled and possibly psychic Ángel (Banderas), and sexually enjoying private time with slasher movies. Meanwhile a female serial killer engages in matador-style rituals with her male prey, piercing their necks during coitus. Tortured by his teacher's implication that he might not be a real man, Ángel clumsily attempts to rape Diego's model girlfriend, Eva (Cobo), and Matadorlater confesses to multiple Matadormurders at a police station-- with the bodies discovered on the grounds of the school. Enter Ángel's lawyer, Maria (Serna), who engages in a dangerous game of cat and mouse with Diego that ultimately proves they have a great deal in common.

A film that's somehow managed to dodge censorship hassles for the most part despite its very extreme content (especially by 1986 standards), Matador still feels quite dangerous for a Spanish art house film right from its show stopping opening 10 minutes to its utterly twisted romantic climax. The trademark eye-popping primary colors and gorgeous costume designs that would become the filmmaker's signatures really come into their own here, and it's fun watching some of his finest repertory players at the time (including the always welcome Chus Lampreave and Julieta Serrano as two mothers of a very different type, Law of Desire and The Cannibal Man star Eusebio Poncela as the main cop, the legendary Carmen Maura as Banderas' therapist, and small bits for Verónica Forqué and Bibi Andersen) rubbing shoulders with one-timers Serna (who's amazing), Martinez, and Cobo. One of the director's greatest secret weapons at this point in his career, composer Bernardo Bonezzi, provides one of his greatest scores here, one that really deserves a complete Matadorrelease someday.

Picked up for U.S. theatrical and home video release by Cinevista in 1988 when Women on the MatadorVerge hit it big, Matador has been fairly easy to see ever since including a laserdisc from Image Entertainment and multiple Spanish options including non-subtitled DVDs and Blu-rays from Divisa. In the U.S. it only hit DVD from Sony in 2007 as part of a Viva Pedro! set, likely because the NC-17 it got slapped with at the time (as did Law of Desire, both understandably) made them dicey for a major studio to market on their own at the time. An HD version was made available for streaming though, albeit with burned-in English subtitles and not looking so hot after a few years.

In 2026, Radiance Films bowed the film on U.K. UHD and Blu-ray featuring a gorgeous new scan (HDR10-compatible Dolby Vision on the UHD) approved by the filmmaker. Detail here is much better than any prior release, especially compared to the Spanish Blu-ray which had some very obvious digital filtering applied too heavily. The DTS-HD MA 1.0 Spanish mono track is also in immaculate shape and comes with Matadorimproved, newly-translated optional English subtitles. The limited edition featuring a booklet with a new essay by Guy Lodge and an archival interview with the director sold out directly from the label very quickly, though straggler copies can still be found around online; Matador standard version will be presumably forthcoming very soon. The two video extras begin with a new interview with Almodóvar expert José Arroyo (29m37s) about the importance of this film as the director edged into the mainstream, became more autonomous with his brother as producer, and the balance between the early films and the later you can find here with a critique of Spain's most controversial entertainment spectacle and views on masculinity. Then you get a 1991 episode of Jonathan Ross Presents For One Week Only (53m27s) featuring interviews with the director, producer Agustín Almodóvar, Banderas and Maura, and coverage of the debut of his latest film at the time, the controversial Tie Me Up! Tie Me Down! with admirers like John Waters and Liza Minnelli on hand.

Radiance (UHD)

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Divisa (Blu-ray)

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Reviewed on April 28, 2026