Grapes of Death



FACES OF DEATH II
Color, 1981, 103 mins. 31 secs. / 78 mins. 15 secs.
Directed by John Alan Schwartz
Vinegar Syndrome (UHD & Blu-ray) (US R0/RA 4K/HD), MPI (Blu-ray & DVD) (US RA/R1 HD/NTSC), Umbrella (DVD) (Australia R0 PAL), Shamrock (Blu-ray & DVD) (Germany RB/R2 HD/PAL), Geneon (DVD) (Japan R1 NTSC)

FACES OF DEATH III
Color, 1985, 104 mins. 59 secs. / 85 mins. 55 secs.
Directed by John Alan Schwartz
Vinegar Syndrome (UHD & Blu-ray) (US R0/RA 4K/HD), MPI (Blu-ray & DVD) (US RA/R1 HD/NTSC), Umbrella (DVD) (Australia R0 PAL), Shamrock (Blu-ray & DVD) (Germany RB/R2 HD/PAL), Geneon (DVD) (Japan R1 NTSC)

FACES OF DEATH IV
Color, 1990, 93 mins. 38 secs.
Directed by Susumu Saegusa, John Alan Schwartz, Andrew Theopolis
Vinegar Syndrome (UHD & Blu-ray) (US R0/RA 4K/HD), MPI (Blu-ray & DVD) (US RA/R1 HD/NTSC), Umbrella (DVD) (Australia R0 PAL), Shamrock (Blu-ray & DVD) (Germany RB/R2 HD/PAL), Geneon (DVD) (Japan R1 NTSC)


Even before it became Faces of Death IIthe stuff of 1980s home video legend, the Faces of Death brand was churning out shocker sequels in the wake of the Faces of Death IIinfamous 1978 original film. With its participants hidden behind pseudonyms, the films continued to trade on the mystique of offering supposedly real-life fatalities on camera with the line blurred between the staged and the genuine. From 1980 to 1990, three more films were released with wildly different versions making it tough to keep track of what was really uncut or even a genuine entry, with soundalike cash-ins muddying the waters even further. By the time the fourth film actually hit some theaters in '90, the end of the road had been reached for 35mm productions in this vein; after that it was all best-of compilations and shot-on-video quickies including The Worst of the Faces of Death, Faces of Death: Fact or Fiction, the recycled fifth and sixth sequels, and the puzzling Death Scenes. Media scrutiny and fear-mongering led to the series going in and out of circulation on more than one occasion, but today they're a pop culture curiosity presenting about as much moral peril as a kid showing off their chewed-up food. As with the first film, Vinegar Syndrome has outfitted the second, third, and fourth films with UHD and Blu-ray special editions in their most complete editions to date, all lovingly transferred from the original negatives with quality that puts past video releases to shame.

Faces of Death IIOriginally sheared of nearly half an hour of footage following its one-off theatrical appearances, 1980's Faces of Death II benefits greatly from Faces of Death IIits restoration here to its full, wildly indulgent 103-minute running time. Our fatality-obsessed host, Dr. Francis B. Gröss (played again by Michael Carr), returns as your guide through a grab bag of demises caught on camera including a then-recent boxing match in which fighter Johnny Owen suffered what turned out to be a mortal head injury. Unlike the prior film, this is largely comprised of indisputably real material including an increase in animal nastiness (dolphins, monkeys, seals, etc.), so brace yourself accordingly. The most unsettling material comes at the end with fly on the wall coverage of a mass firing squad execution that would make this an ideal co-feature with Joshua Oppenheimer's The Act of Killing. You also some horrifically miscalculated daredevil stunts and, in a welcome bit of silliness, a blatantly staged robbery that turns into a badly acted shootout.

Now firmly established as the logical North American continuation of the mondo movie craze, the series was starting to be conceived largely for the burgeoning home video market where people who would be too timid to buy a movie ticket would have no issue grabbing this off a store shelf. With its iconic artwork of a surgical-masked skull figure wielding a scalpel, this one delivers exactly what it promises for what amounts to an act of cinematic Faces of Death IIIhazing as much as a traditional cinematic experience. The Vinegar Syndrome releases is extremely Faces of Death IIIcomprehensive for such a confusing film, with multiple edits prepared for different territories usually ranging between 78 and 85 minutes. The former is the usual U.S. running time for VHS and DVD editions, with the U.K. trimming a few more animal shots and the German one (among others) slugging in footage of Ronald Reagan's attempted assassination by John Hinckley for reasons still never really made clear. The UHD and DVD feature the original 103-minute cut from the negative, looking far more pristine than ever before, with the 78-minute U.S. video cut leading the extras on the Blu-ray. The 2m57s Reagan segment is included as an extra along with an uncovered 5m31s deleted scene (whose audio is lost, now filled with music score) showing a morgue interview that turns into a look at morbid knickknacks in jars as part of a death museum. The home video trailer is also included.

The weirdest and most divisive entry in the initial shot-on-film cycle of four films, Faces of Death III was conceived and initially shot and edited as documentary from the same creative team entitled Fear with a slew of eccentric, fictional segments showcasing odd human behaviors and phobias. Faces of Death IIIThe result was heavily doctored into another sequel with wedged-in hosting segments for Gröss, leaving Faces of Death IIIshards of the discarded material in the end credits to utterly confuse home video viewers. If you're in the proper mindset, this is easily the funniest of the four with a parachutist's unfortunate splashdown among some alligators being a highlight. Among the mondo-style thrills here are a lengthy exorcism in a very dark room, a law enforcement pursuit of a serial killer on the loose, highly unconvincing reckless driving on the Autobahn, and in a moment of high kitsch you won't believe, swinger nudists planning a swanky placenta dinner.

The original Fear cut thankfully revived for the Vinegar Syndrome release is something of a revelation after decades of the much-maligned patchwork release version; what you get here at least is something that could almost be considered charming and in the spirit of a Something Weird release. Not surprisingly, this one also looks the best of the bunch since it's almost all original footage presented here in pristine condition; as with the others, it's presented with HDR-compatible Dolby Vision on the UHD with DTS-HD MA 2.0 English mono audio with English SDH subtitles. Faces of Death IIIOn the Blu-ray you also get the reworked familiar home video version for posterity if you're in the mood, plus an isolated music track for Faces of Death IIIthe main feature on either disc.

All sick things must come to an end, and the bona fide original cycle met its maker in 1990 with Faces of Death IV, a return to the gore-drenched snuff cavalcade format fans enjoyed. Here it's again almost all staged nonsense, in this case ranging from a topless drunk water skier getting creamed by a boat to that old scare tactic standby, a Vietnamese family prepping a puppy dinner. Plus you get some mortal magic acts, a wedding mafia massacre, and weirdest of all, a freakish new host, "Louis Flellis," stepping in after Francis B. Gröss purportedly shuffled off this mortal coil. Probably because the show Cops had just become a sensation the year before, there's also a lot of police mayhem here which feels like the most disturbing element today.

Unlike the two predecessors, this one apparently remained intact from its initial edit through its theatrical release (yes, really) and eventual home video immortality via MPI's Gorgon Video. Since this one was intended for the big screen and given the luxury of being shot entirely on 35mm, it naturally looks gorgeous here with a crisp presentation from the negative that leaves its prior video incarnations in the dirt. Once again you get an isolated music Faces of Death IIItrack, a nice touch near the end in particular. The one extra here is a fun one: "Scarred for Life" (17m7s), a Faces of Death IIInew video featurette about "the history and cultural legacy of Faces of Death" with scholars and Vinegar Syndrome personnel including Elijah Drenner, Kurtis Spieler, Spencer Parsons, Lindsay Miller, Oscar Becher, and a camouflaged "Reggie" former employee of Gorgon Video. It's a useful and even-handed portrait of the ominous reputation these films enjoyed, the cultural panic over mass media at the time, the rise of video stores as a delivery system for filmed entertainment, and the influence of modern makeup effects.

Reviewed on October 26, 2026