history of the legendary Something
Weird Video is studded with mind-melting discoveries packed with sex, violence, or some seedy combination of the two. Case in point: The Bushwhacker and The Ravager, a pair of late-period roughies that seemed to be lost films until prints finally turned up and made their way to DVD-R from the company in 2007. Lean, mean, and completely devoid of any socially redeeming value, they're part of the same foul-tempered wave that would go on to inspire more overtly explicit fare the following decade like Zero In and Scream, A Climax of Blue Power, and Booby Trap. Fortunately both films were shot for pocket change out in the middle of nowhere and also have a kind of grubby charm in their cheap-jack commitment to delivering the cheapest thrills possible. 
into a low-flying charter plane, which strands the pilot, Dan (Sassy Sue's Shane), with his all-female passengers: Sherry (uncredited), lesbian Maureen (the amusingly named "Acee Decee"), and Dawn (Montello). The new arrivals decide to spend their time coupling and skinnydipping in various combinations, but soon the bushwhacker shows up for a nonstop assault on human decency as he stabs, slices, and bites with wild abandon before a final confrontation. A twisted concoction from Byron Mabe (also a Friedman buddy and star of The Defilers), this one really delivers the goods in its final 20 minutes with a cascade of perverse twists (including bondage and necrophilia) you have to see to believe.
cartoonish than its companion film, this one really defies
description with the bald, creepy Agostino chomping the scenery to pieces in a performance that's unlike anything else you've ever seen. No wonder both of these films nearly vanished off the planet entirely as turn of the decade audiences likely had no idea how to even remotely process what was unfolding in front of them.
all that noticeable. The English
mono audio is also in "as is" condition, listenable enough but hardly demo material. The U.S. theatrical trailer is included for The Bushwhacker (it's astonishing) and a German, VHS-sourced one is also tossed in for The Ravager (as Bestie der wollust); bonus, very long trailers are also included for The Scavengers, Hot Spur, Nazi Love Camp 27 and The Pick-Up. The package also comes with reversible cover art for whichever film tickles your fancy more, along with a batch of German lobby card reproductions for The Ravager. However, the best part of all may be the insert booklet with a fascinating essay by the always enjoyable Robin Bougie about the director of The Ravager, Belgian-born Charles Nizet, who also directed Help Me... I'm Possessed (featuring Agostino as well) and lived a colorful life full of boisterous claims, grandiose real estate and movie production plans, and bizarre twists of fate that ultimately led to an unsolved murder. It's great reading and a perfect companion to a pair of films that will burn their way into your brain for eternity.