standards in Europe and the U.S. resulted in some
wild movie trends in the '70s, and few were weirder than the softcore sex comedies that seemed to particularly gain traction in the U.K. and West Germany. The English variant has a very distinctive flavor all its own, with recognizable stars like Suzy Kendall, Vincent Price, and Diana Dors rubbing shoulders with pinup models and aspiring actors who usually talked to the camera during their randy exploits. Along the way new unclad stars were briefly made including Mary Millington and Suzy Mandel, while two rival series managed to draw in particularly large audiences: the four Confessions films starring Robin Askwith and the three Adventures ones produced and directed by Stanley A. Long (working with Mark of the Devil's Michael Armstrong). A veteran of the exploitation scene starting with extensive work in silent nudie shorts and "glamour films," Long made his name with films like The Wife Swappers, Naughty!, and Bread that gave him the title "the king of British sexploitation." Particularly drawn to comedy, he would still try his hand at other genres including a late stab at horror with the much underrated anthology Screamtime (which is way overdue for a Blu-ray release someday).
role in 1968's Here We Go Round the Mulberry Bush. Here he plays Joe, a working class cab driver in the heart of London who still lives at home with his nagging mom (Dors) and kleptomaniac little brother. Though he has a hot and cold relationship with his
bleach-blonde girlfriend, Carol (Posta), but tensions at home and on the road have him wandering in every sense thanks to his weird and sometimes sexy passengers. Eventually he thinks he might see a way out by shacking up with nightclub performer Nikki (Geeson) with a gigantic python in the bathtub, which still isn't enough to stop him from cruising around for "a nice bit o' crumpet."
looked great for the time and came with a lively commentary by Long, plus the trailer and a photo gallery. The Indicator features as good a transfer as you can get from the frequently on-the-fly shooting conditions, grainy but colorful enough and
accurate to the source. As with the remaining titles, the LPCM English 1.0 mono track sounds fine and comes with optional, improved English SDH subtitles that come in handy with a lot of garbled dialogue. "The BEHP Interview with Stanley Long: Part One" from 1999 runs almost the entire film as well, with Long chatting with Denis Gifford and Emmanuel Yospa about his career, his nudie modeling background, and a lot about the technical improvisations he had to resort to with his budgets. Created for the British VHS market, The Best of the Adventures (1981, 86m25s) is a feature-length compilation of highlights from the trilogy hosted by journalist and broadcaster Peter Noble. In "Peter Sinclair’s Camera" (14m54s), the cinematographer recalls his clever work shooting the film inside a cab (which resulted in many people mistaking the vehicle for the real thing), his extensive work with Pete Walker starting with Man of Violence, and his successful switch to working on music videos and concerts in L.A. with the likes of Peter Gabriel. Also included are the very NSFW theatrical trailer, a gallery of promotional and publicity materials from Long’s archives (45 images), and 33 images of the complete dialogue script.
had supposedly been a bit challenging during production) opting out of a sequel and being replaced by
Christopher Neil, a young musician who had previously popped up in supporting roles in The Sex Thief and Eskimo Nell. He would stick around for the third film in this series, too, after which he went back to focusing on music where he hit it big with Mike + the Mechanics and lifting Sheena Easton to stardom. He performs the theme songs for his two Adventures films, too, with the third one delivering some fun disco madness in particular.
in order to inherit his considerable estate. Slapping on bad disguises, he chases down some leads like posing as an exterminator for Diana Dors and occasionally gets into some naked complications that never seem to lead to any actual sex. There's also a
murder plot and lots of silliness on the way as he tries to find the blackmailer in time for his boss gets back in town.
before in terms of color timing while upping the detail a bit, more obviously here since it was shot in 35mm.
Retained here from the DVD is the original Long commentary (probably the most dense of the three as he goes into the success of the series, the hiring of his new star, and more), plus the trailer. Long's BEHP interview continues here, and it's amazing how much info he continues to share about his experiences in the industry and his thoughts on distribution (which he hated doing himself), the difficulty of casting experienced actors willing to do "non-serious" films, and more. In "Stanley by Simon" (18m53s), Long’s biographer Simon Sheridan (author of Keeping the British End Up) offers a very affectionate tribute to his friend whom he got to know very well through a year's worth of research for the book, as well as facts about Long's career including his great award-winning trailer for The Brood and his distaste for most other British sexy cinema. Also included are an open matte Super 8 version (16m) for home viewing at the time, a gallery of 32 promotional and publicity items from Long's archives, and the the amusing Can You Keep It Up with This, That and the Other for a Week? (15m38s), a 2004 short film salute to British sex comedies by Jan Manthey complete with a VHS aesthetic, an inane theme song, a detour involving a mad scientist and his "sex ray," and bad jokes and wigs galore. The short also comes with audio commentary by Manthey and actors Diana Manthey and Vic Pratt, plus its own image 
gallery.
protagonist from one unlikely situation to another. Neil's performance is about the same as before, competent enough but not dynamic enough to make you wonder why he stayed behind the scenes after this. As with most of these films, it's a far cry from
today's attitudes about race, gender, and just about everything else, but it's so featherweight and harmless that nobody's likely to get really offended by anything.
gallery of 24 images from Long's archives is also included, and the modern-day tributes continue
with 2008's The Adventures of a Plumber in Outer Space (44m34s). Manthey's direct sequel continues after the sex ray events of the prior short, with our hapless lad now dealing with a larger alien contingent that puts him in a variety of ridiculous comic situations with lots of implied naughtiness (but no nudity). This one also comes with a commentary by the same trio and its own image gallery. The limited edition set also comes with a double-sided poster and an 80-page booklet featuring with a new essay by Sheridan, archival interviews with Long and Neil, a letter from the producers protesting the series' treatment by the press, newspaper articles, a look at the three films’ movie tie-in novels, sample critical reactions, Manthey on his short films, and film credits.ADVENTURES OF A TAXI DRIVER: Indicator (Blu-ray)
ADVENTURES OF A TAXI DRIVER: Icon (DVD)
ADVENTURES OF A PRIVATE EYE: Indicator (Blu-ray)
ADVENTURES OF A PRIVATE EYE: Icon (DVD)
ADVENTURES OF A PLUMBER'S MATE: Indicator (Blu-ray)
ADVENTURES OF A PLUMBER'S MATE: Icon (DVD)