Color, 1973, 95 mins. 91 secs.
Directed by Michael Winner
Starring Charles Bronson, Martin Balsam, Jack Colvin, Paul Koslo, Norman Fell, Ralph Waite, Eddie Firestone
Indicator (Blu-ray & DVD) (UK R0 HD/PAL), Twilight Time (Blu-ray) (US R0 HD), Sony (DVD) (US R0 NTSC) / WS (1.85:1) (16:9)

at the airport. The assignment was carried out under the orders of mob boss Al Vescari (Balsam), who has in fingers in many pies on both coasts and has come up with a way to settle a decades-old score: hiring desperate, damaged Vietnam vets to kill everyone on his murder list. (This idea was later taken to operatic levels with Max Allan Collin's Quarry novels starting three years later). Soon Torrey is shooting, chasing, and conniving his way through an interstate vendetta that's leaving a thick trail of blood through two major cities. 
American DVD until 2011 as an MOD title, at least culled from a new HD transfer as excellent as Sony's other work with its catalog titles. A handful of genuine pressed releases appeared in Europe shortly before that one, though the speed difference in the PAL transfers made Budd's score sound a little weird. Fortunately the film got a full-fledged special edition in the UK as a dual-format Blu-ray and DVD release (limited to 3,000 units) from Indicator, taken from what appears to be the same HD scan in the Sony vaults. It still looks rich and healthy here without compromising the film's gritty, often dark appearance, likely inspired by the aesthetic of The French Connection. In addition to the pristine
English DTS-MD HD mono track (with optional SDH subtitles), the film can be played with an isolated track for Budd's score or a new audio commentary by film critic Nick Pinkerton, who focuses a great deal on Winner's career, the dozens of real locations, the prevalence of crime stories in pop culture throughout the '70s, Bronson's background, and the disparate critical response to the film upon its release. It's a solid track filled with good info (though '80s horror fans might notice the Street Trash goof). Finally you can watch the film with a 64-minute Winner interview as part The John Player Lecture series, conducted by Margaret Hinxman at London's National Film Theatre and covering his already infamous reputation at the time well before he tackled this film. Recorded just after the shooting of Lawman, it features Winner in typically chatty form as he speaks very, very quickly about his entire career up to that point with titles ranging from The Jokers to I'll Never Forget What's'isname. In "Mr. Blonde" (17m4s), actor Paul Koslo (who sports a distinctive long bleached hairdo in the film) chats about how he
made this at the same time as The Laughing Policeman and made a hilariously bad first impression on Winner on the set. (He and Bronson didn't exactly hit it off at first either, though they went on to make Mr. Majestyk together soon after.) Also included are the original trailer and a gallery of 75 photos including color stills, poster, paperback tie-ins, and a great batch of production shots from Winner's personal collection. Paul Talbot, author of Bronson's Loose! and Bronson's Loose Again!, would have to be here somewhere, and you'll find him in the liner notes booklet with his usual expert mixture of Bronson trivia and keen filmic observation about this film's placement in the filmography of its star; also included in the booklet is a selection of reviews and PR coverage from its release.