CROSS OF LOVE
B&W, 1946, 101 mins. 46 secs.
Directed by Teuvo Tulio
Starring Oscar Tengström, Regina Linnanheimo, Ville Salminen, Rauli Tuomi

RESTLESS BLOOD
B&W, 1946, 99 mins. 35 secs.
Directed by Teuvo Tulio
Starring Regina Linnanheimo, Eino Katajavuori, Toini Vartiainen

SENSUELA
Color, 1973, 109 mins. 10 secs.
Directed by Teuvo Tulio
Starring Marianne Mardi, Mauritz Åkerman, Ismo Saario, Ossi Elstelä
Deaf Crocodile (Blu-ray) (US RA HD)


Though hardly the most prolific of Cross of LoveFinnish filmmakers, Tuevo Tulio is a fascinating figure whose career stretched from the early sound era Cross of Loveto 1973 with all the ups and downs you'd expect from that span of time. Delivering another wild curve ball for American audiences, Deaf Crocodile collected restorations of three of his key films on Blu-ray in a triple-disc set, 3 x Tuevo Tulio, and the ride is just as wild as you'd expect with content that crazier and more envelope-pushing than anything you'd see coming out of major studios.

First up is 1946's Cross of Love (Rakkauden Risti), which takes its title literally when we see our heroine actually trussed up on a giant cross. Accompanied by classical music starting off with Bach's "Toccata and Fugue in D Minor," our tale adapted loosely from a story by Aleksandr Pushkin charts the delirium unleashed in the life of isolated and apparently quite crazed old lighthouse keeper (Tengström) who only talks to his chatty parrot and holds a grudge against humanity for tumultuous reasons we find out in flashback. One day his daughter, Riitta (Linnanheimo), saved the sailor Mauri (Salminen) from drowning and, hopelessly smitten, accompanied him Cross of Loveback to the city where she became a ruined woman of the streets. From there she becomes entangled with a young artist, Cross of LoveHenrik (Tuomi), who wants her to model in tableaux of erotic religious persecution.

"Feverish" is an appropriate description of this film and everything else in the set, with Tulio heightening the emotions and visuals to escalated levels that feel like they're about to tip over into self-parody at any moment. The fact that the film manages to stay its course is remarkable to behold, and though the basic story would seem to stick to a trope that goes back to the silent era, the execution is anything but ordinary. Making its Blu-ray debut in this set, the film looks beautiful here with a crisp restoration that respects the integrity of the source material while bringing out an impressive level of film grain with deep, all-important blacks. The Finnish DTS-HD MA 2.0 mono audio is also excellent given the very simple nature of the original mix, with optional English subtitles. A new audio commentary by Rolf Giesen focuses primarily on Tulio's overall life and career as well as ties to other filmmakers and Nordic production companies, making it a thorough primer on the environment from which he sprang. Also included are a lengthy and naked-y five-minute trailer for the Restless BloodSwedish-language version of the film as Kärlekens kors and the 2015 short doc "A French Discovery (Nuorena Nukkunut)" (6m35s) about the discovery and restoration of a surviving portion of the 1937 Restless Bloodfilm Fall Asleep When Young, thought lost in a fire at the end of the '50s. You also get that entire restored surviving reel of the film (21m42s), obviously still in very battered shape but nice to have for posterity.

Released the same year, the even more operatic Restless Blood (Levoton Veri) is melodrama on steroids as we follow the extremely tumultuous tale of Sylvi (Linnanheimo) and her little sister Outi (Vartiainen), with the latter making obvious romantic overtures to Sylvi's husband, Valter (Katajavuori), during treatment for an injured leg. Outi's fixation grows and runs parallel to Sylvi's upheaval when tragedy strikes their family, leading her to drastic self-destructive measures that leave her blind. Suspecting that her loss of sight means the pair can now consummate their physical attraction, the sunglass-wearing Sylvi sets the stage for an even more terrible chain of events...

The spectacle of an increasingly unhinged Linnanheimo in those spectacles is the driving image of this film and a key part of the jaw-dropping finale. Fans of Restless Bloodultra-stylized soapers by the likes of Douglas Sirk or his more modern disciples like Todd Haynes and Pedro Almodóvar will have a blast with this Restless Bloodone, and it's best to watch with at least one other person so you can figure out later where Tulio and company are really coming from here-- especially that ending. Again the restoration here is excellent, and you might actually want to start out the set with this one since it's guaranteed you'll be hooked in from that point. Eloise Ross provides an insightful audio commentary about the film's use of traditional melodrama and "women's pictures" to completely upend your viewing experience, pointing out plenty of sly points of interest along the way. The visual essay "They Talk of Love: Tuevo Tulio's Two Visions of Pushkin" (21m30s) by Ryan Verrill and Will Dodson covers the publication of the author's "The Stationmaster" and its interpretation in two of Tulio's films (more on that below), as well as how the Russian themes are transposed into another country's cinematic language here. Another partially surviving Tulio film, his 1936 debut Struggle for the House of Hekkila, is represented here with an 8m10s fragment demonstrating his skill with pastoral melodrama already. Finally the 1946 educational short Shelters for Newborns (8m29s) by Holger Harrivirta shows how the children of mothers afflicted during a major tuberculosis outbreak were being cared for in a special building safe from bacterial infection.

Tulio definitely wasn't opposed to remaking his own films, even bringing back Linnanheimo for a spin on Restless Blood called Jealousy in Sensuela1953. However, Sensuelanothing could have prepared anyone for what he had in store with his final film, 1973's long-gestating Sensuela, a riot of shockingly bold Technicolor on the third Blu-ray. A loose riff on Cross of Love, the story begins among the Sámi population in Finland where Laila (Mardi), daughter of one of the primary reindeer herders, saves an injured German pilot, Hans (Åkerman), from a disastrous plane crash. He ends up seducing her and, much to her father's disappointment, spirits her away via her first plane trip to Helsinki. There her eyes are opened to her beau's true nature at a swinging sex party, which opens the door to a new relationship with photographer Pekka (Saario) complete with nudie modeling, extended sauna sessions, and a new form of personal liberation.

Impossible to really describe and even more disorienting to watch, Sensuela seems to be taking place during World War II given Hans' Nazi garb but really floats around in a '60s sexploitation haze with images that feel like Kenneth Anger colliding with Bunny Yeager. Tulio also throws you off balance with a barrage of deliberate artifice including stuffed animal heads and minimalist sets and props that would make this a fine companion piece to Dogville. The Blu-ray packaging features a Sensuelacautionary note about the frequent nudity, which is mostly of the casual nudie-cutie variety but does veer into some surprisingly up-close territory in a few shots. That aspect was likely done in the final stretch of making the film, which stretched on for Sensuelayears as the climate for what was permissible on movie screens was changing at light speed. The film's 18-only rating in Finland (the first domestic film to be restricted as such) played a large role in its disastrous and very marginal theatrical release, with Tulio himself barring its distribution in any form after that for the rest of his life. Luckily times have caught up, and the scorching restoration on display here is a real wonder to behold. Heidi Honeycutt delivers a new audio commentary here with an infectious enthusiasm for the film, diving headfirst into its cavalcade of weirdness, culture clashes, and sexual dynamics that make it unlike anything else out there. A visual essay by Reinert Kiil (20m48s) focuses on Sámi culture and the impact of World War II on Finland at large, followed by the 1947 educational short I Would Like to Be a Queen (12m47s) in which a young woman indulges way too much at a party and ends up in an unexpected place the next morning with a stern lecture in store. As usual the set comes as a limited edition with an illustrated 60-page book featuring the essays "Fairytale in the Shadows" on Cross of Love and the director's career in general by Eloise Ross, Walter Chaw gushing with wild abandon about Restless Blood, "Corruption of a Pure Heart" on Sensuela and comparisons to The White Reindeer by Alexandra Heller-Nicholas, and the more personal "Telvio Tulio: The Melodrama Machine" by Venla Mäkelä, plus restoration notes.

Reviewed on February 13, 2026