
Color, 1968, 101 mins. 22 secs.
Directed by Cliff Owen
Starring John Richardson, Olinka Berova, Edward Judd, Colin Blakely, Jill Melford, George Sewell, André Morell, Noel Willman, Derek Godfrey
Scream Factory (Blu-ray) (US RA HD), Anchor Bay (DVD) (US R1 NTSC) / WS (1.85:1) (16:9)
Hammer Films was
trying to figure out where the horror audience was heading in the late '60s, it still felt there was a sure thing in exotic fantasy films drawing in crowds who had made One Millions Years B.C. and She such major hits in the middle of the decade. The combination of scantily-clad women and ancient rites wasn't too expensive to pull off, so in 1967 they rolled out Prehistoric Women and The Viking Queen, followed by The Lost Continent in 1968. The last of this cycle in the '60s was The Vengeance of She, a belated sequel that pushes the action from 1918 to the present day and replaces star Ursula Andress with Czech-born Olga Schoberová, credited here as "Olinka Berova" for some reason.
flame that will grant him eternal life and power over the world. 
Weirdly, The Vengeance of She was one of the first Hammer titles released on DVD way back in 1999 from Anchor Bay along with a batch of other titles like Viking Queen and The Plague of the Zombies. The transfer was very good for its time and came on a flipper disc with the theatrical
trailer and, on the reverse side, one of those clip reel World of Hammer docs, "Lands Before Time" (24m40s) narrated by Oliver Reed.
The Monster Party podcast's Matt Weinhold, Shawn Sheridan, Larry Strothe, And James Gonis. Self-described lovers of Hammer, they're extremely enthusiastic and dive into the ins and outs of the film with a combination of trivia and personal observations. The energy level peters out in the last half hour
(not surprising given that the film itself does the same), but their dedication is certainly appreciated. Also included are new video interviews with assistant director Terence Clegg (2m35s), visual effects artist Joy Cuff (8m2s), and clapper/loader Trevor Coop (5m42s), including some candid comments about Judd's diva behavior on the set, a funny bit about a spaghetti western shooting around the corner, the designs for the temple, the tricks of dealing with a demanding focus puller, and less than flattering (but not even remotely surprising) comments about Owen's work methods. Also included are a gallery of promotional materials and photos (5m27s) and two 20th Century Fox TV spots.