
of the finest poliziotteschi ever made, director Fernando Di Leo ended up with a
very troubled career in the late '70s thanks to the fate of his extremely shocking To Be Twenty and the barely released Madness. Following a six-part crime series for TV that ended up on the shelf, he took a page from the successful Vietnamsploitation films of Antonio Margheriti and made The Violent Breed, his last theatrical feature. (The only one after that, Killer vs Killers, went straight to video.) This title was part of a short but wild wave of Italian features Cannon either bankrolled or acquired (Treasure of the Four Crowns, The Seven Magnificent Gladiators, The Berlin Affair), with the most famous being Luigi Cozzi's two Hercules films. This one was a pickup after the fact a la The Final Executioner and The Throne of Fire, but it fits the Cannon aesthetic well enough and comes with a couple of familiar faces from Di Leo's earlier glory days.
big compound that's turned into a major Southeast Asia hub for
illegal gun running and drug smuggling bankrolled by organized crime syndicates. It's up to Mike to head back into the jungle to straighten things out and take down Polo's empire, along with saving any helpless locals in need along the way.
Given a very marginal theatrical run from Cannon, The Violent Breed ended up on VHS in one of those great oversized MGM/UA boxes where it lurked in the action section of mom and pop stores for years. Apparently ignoring the film's very valid ownership, Xenon snuck out their own VHS later under the completely appropriate title Real Soulja touting Strode as the only star, complete with an unwatchable dupey transfer that did the film no favors. In 2022, Code Red brought the film to Blu-ray via its distribution through Kino Lorber with packaging noting a new 2K transfer. The source is definitely a print (likely the best thing MGM had lying around given the film's background), obviously looking better than anything we've had before but definitely confined by the limitations of what it is including some specks here and there and the usual murky blacks you see in 35mm print transfers from sources of the era. The DTS-HD MA English 2.0 mono track (with optional English subtitles) is fine considering it's an optical track, and the film was shot with live sound in English (though Strode was looped later, as usual for the time). The theatrical trailer is included (in HD) along with bonus ones for The Last Hunter, The Violent Professionals, Street Law, Seven Blood-Stained Orchids, and Blastfighter.